Zavier Ellis 'England (Video et taceo) IV (White)', 2026 Ink, emulsion, digital collage on gloss paper 29.7x21cm (11.7x8.3 in) work on paper and more recently large oil

and more recently large oil paintings

Julian Opie

intertwining past and present narratives of power and exclusion

layered historical iconography generates a dense internal symbolism — here rooted in the origins of the World Cup itself

and Johnny Rotten into a single composite figure

Zavier Ellis 'England (Video et taceo) IV (White)', 2026 Ink, emulsion, digital collage on gloss paper 29.7x21cm (11.7x8.3 in) work on paper and more recently large oilOffered at a special museum collectors price of 50 to mark the simultaneous exhibitions 'This is England' at South Hill Park, Berkshire and 'The Life in a Line' at Heath Robinson Museum, London. 'England (Video et taceo)' layers portraits of Queen Elizabeth I, Lord Byron, and Johnny Rotten into a single composite figure, collapsing centuries of cultural and political identity. Embedded within the image are fragments of a recent anti immigration